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Hook, Draw,
Slice or Fade…It’s Your Choice
The essential element in hitting each of these
shots is the angle of the clubface at impact and
being aware of what that angle is. What is the difference
between a hook and a draw or a slice and a fade?
The draw is a controlled hook, and the fade is
a controlled slice. Hooks and slices usually end
up in the trees, the rough, bunkers or out of bounds.
Draws and fades stay in play, end up in decent lies
and from where you can put your next shot on or
very close to the green. Very few golfers hit the
ball dead straight, if only because they stand at
the side of the ball. Therefore, it’s important
to know how to control the curve on the flight of
your shots.
The Clubface Angle Tells It All
The essential element in hitting each of these shots
is the angle of the clubface at impact. How can
you tell when the clubface is open, closed or square?
First and foremost, you must look at the flight
of the ball. If it’s curving right to left
or goes straight left off the clubface, then the
clubface is closed at impact. If it’s curving
sharply from left to right or goes straight right
of your target upon impact, the clubface is open.
Getting A Read On The Clubface Angle
While the flight of the ball is the best way to
determine the clubface angle at impact, it’s
important to know beforehand if you want to alter
it or accommodate for it. One tried-and-true way
is to make a backswing with a mirror directly behind
you and see for yourself. You can also have someone
videotape your completed backswing or record it
with a digital camera.
Another way to check your clubface angle is by
completing your backswing and simply putting the
clubhead back behind the ball without uncocking
your wrists or otherwise altering the angle. You
can also set up at address with the clubhead behind
the ball and have someone tell you if the clubface
is open or closed, or just hold it in position and
walk around behind to see for yourself.

Open, Closed Or Square?
There are two checkpoints in the backswing that
you can use to determine where the clubface is positioned.
The first is halfway back, when the club is parallel
to the ground. If the toe of the club is somewhat
straight up (between 11 and 12 o’clock), the
clubface is square. If the toe is behind the heel
and pointing behind you (10 o’clock or later),
the clubface is open. If the toe is ahead of the
heel, pointing ahead of you (3 o’clock or
earlier), the clubface is closed.
The other position at which to check the clubface
angle is at the top of your backswing. The clubface
is open when, at the completion of the backswing,
it is facing the ground to some degree. The more
it is open, the more the face is exposed to the
ground. Or, the toe of the club is pointing below
your left forearm. If the face is angled to the
right of your target, it is open.
The clubface is closed when, at the completion of
the backswing, it is facing up toward the sky. Again,
it is a matter of degree. The more the face is looking
up at the sky, the more closed it is. Or, the toe
is pointing above your left forearm. Again, you
can bring the club to the top and then place it
back behind the ball. If it’s aimed left of
your target, it is closed.
The clubface is square when it is parallel to your
left forearm.

Turning A Hook Into A Draw
To learn how to control your hook and turn it into
a nice draw, there are a few changes to make. First,
try working the clubface a little open in the backswing.
Some people call it “fanning the blade open.”
This involves rotating the forearms counterclockwise
in the backswing, which causes the toe of the club
to go straight up about midway in the backswing
or when your left arm is parallel to the ground.
The other change is to swing your club along the
target line in the downswing instead of swinging
out toward right field, which is the tendency of
golfers who hook the ball. To swing down the line,
you need to increase your body rotation and reduce
the lateral or sliding motion of the legs. This
should create a squaring of the clubface through
body motion, not the hands, and thereby control
the hook and produce a draw.

Turning A Slice Into A Fade
Contrary to conventional wisdom, coming over the
top in the downswing (and bringing the club across
the target line from outside to inside) is not the
cause of a slice. It’s the effect of an open
clubface.
To use a baseball analogy, your mind is fixated
on hitting the golf ball to centerfield, but it
keeps going to right field. So you swing the club
toward left field and come over the top. But you’re
going about it the wrong way. If the clubface was
square or closed, the ball would go down the left-field
line. However, the clubface is open, so it curves
sharply from left to right. To fix this, you must
learn how to close or square the clubface enough
so you can control the flight of the ball, i.e.
less slice or a fade.
The first change to make is to create a strong
grip position by rotating the left hand clockwise
at address so you see at least two knuckles, and
put your right hand on the side or somewhat under
the club. This will allow you to rotate the forearms
counterclockwise in the forward swing, thus creating
less slice spin.
Along with this adjustment, you may need to change
the “out-to-in” swing path that usually
accompanies a slice to a more inside attack. This
can be accomplished with a slight lateral “bump”
(weight shift) of the lower body to start the downswing.
This is not an easy combination of moves to make,
partly because your brain does not want anything
to do with “right field.” However, with
proper practice and plenty of patience, it will
work.

Playing From The Tees
Not enough golfers pay attention to where they play
from the tee. The natural inclination is to swing
in accord with your body alignment. Therefore, if
you’re a slicer, you should set up on the
right side of the teebox to allow your eyes to see
a better route for your natural shot shape. Likewise,
if you hook the ball, you need to set up on the
left side of the teebox.
Also, if you want to hit a fade, tee the ball lower
to the ground than you would ordinarily. Tee it
a bit higher if you are after a hook or draw.
Equipment design can help you modify your slice
if you use clubs with an offset head. This is common
with irons, but you can now get offset drivers.
Remember, for a draw, aim at second base and swing
out toward the second baseman. For a fade, aim at
second base and swing toward the shortstop.
Ideally, everyone should play with the clubface
square at address, at the top of the backswing and
at impact. It is most effective to start from that
position at address, but golfers have various idiosyncrasies
in their swings that will open or close the clubface
in the backswing. The advice here is to not so much
change your swing, just the angle of the clubface.
Mick Soli teaches at The Golf Academy at Mariners
Point in Foster City, Calif. He can be reached at
(650) 573-7888 ext. 3 or via e-mail at msoli@marinerspoint.com.

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